Key Insights & Memorable Quotes
Below are the most popular and impactful highlights and quotes from In the Dust of This Planet:
“If historical mysticism is, in the last instance, theological, then mysticism today, a mysticism of the unhuman, would have to be, in the last instance, climatological. It is a kind of mysticism that can only be expressed in the dust of this planet.”
“We have to entertain the possibility that there is no reason for something existing; or that the split between subject and object is only our name for something equally accidental we call knowledge; or, an even more difficult thought, that while there may be some order to the self and the cosmos, to the microcosm and macrocosm, it is an order that is absolutely indifferent to our existence, and of which we can have only a negative awareness.”
“Even though there is something out there that is not the world-for-us, and even though we can name it the world-in-itself, this latter constitutes a horizon for thought, always receding just beyond the bounds of intelligibility.”
“In addition to the interpretive frameworks of the mythological (classical-Greek), the theological (Medieval-Christian), and the existential (modern-European), would it be possible to shift our framework to something we can only call cosmological? Could such a cosmological view be understood not simply as the view from inter-stellar space, but as the view of the world-without-us, the Planetary view?”
“To the culture of the early Renaissance, the demon presents a limit to the empiricism of the unknown, something that can only be verified through contradictions – an absent manifestation, an unnatural creature, a demonic malady.”
“The world is increasingly unthinkable – a world of planetary disasters, emerging pandemics, tectonic shifts, strange weather, oil-drenched seascapes, and the furtive, always-looming threat of extinction. In spite of our daily concerns, wants, and desires, it is increasingly difficult to comprehend the world in which we live and of which we are a part. To confront this idea is to confront an absolute limit to our ability to adequately understand the world at all – an idea that has been a central motif of the horror genre for some time.”
“(life science) definitions. The question that runs through these disputatio is the following: What if “horror” has less to do with a fear of death, and more to do with the dread of life?”
“If the supernatural in a conventional sense is no longer possible, what remains after the “death of God” is an occulted, hidden world. Philosophically speaking, the enigma we face is how to confront this world, without immediately presuming that it is identical to the world-for-us (the world of science and religion), and without simply disparaging it as an irretrievable and inaccessible world-in-itself.”
“The question is, what happens when we as human beings confront a world that is radically unhuman, impersonal, and even indifferent to the human? What happens to the concept of politics once one confronts the possibility that the world only reveals its hiddenness, in spite of the attempts to render it as a world-for-us, either via theology (sovereign God, sovereign king) or via science (the organismic analogy of the state)? In the face of politics, this unresponsiveness of the world is a condition for which, arguably, we do not yet have a language.”
“The more we learn about the planet, the stranger it becomes to us.”
“For Nishitani, then, the only way beyond nihilism is through nihilism. And here Nishitani borrows from the Buddhist concept of śūnyatā, conventionally translated as “nothingness” or “emptiness.” In contrast to the relative nothingness of modern nihilism, which is privative, and predicated on the absence of being (that is, an ontology), Nishitani proposes an absolute nothingness, which is purely negative and predicated on a paradoxical foundation of non-being (that is, a meontology). “Emptiness”
“In short, when the non-human world manifests itself to us in these ambivalent ways, more often than not our response is to recuperate that non-human world into whatever the dominant, human-centric worldview is at the time.”
“The ethereal nature of mists means that while they may appear solid and to have distinct forms, they are also immaterial, and can readily become formless.”
“It seems to have no motive, no vendetta, no program of action, other than simply that of “being ooze.”
“In books such as Isis Unveiled (1877) or The Secret Doctrine (1888), Blavatsky covers everything from archaic mystery cults to modern paranormal research, giving one the sort of global perspective found in anthropology classics such as James Frazer’s The Golden Bough (1890).”
“An oft-mentioned example in this regard is the Medieval practice of catapulting corpses. The primal scene in this regard is the 14th century Italian trading post at Caffa, on the northern border of the Black Sea. Ongoing skirmishes between Italian merchants and Muslim locals led, in one instance, to the catapulting of plague-ridden corpses by the latter, over the fortress walls of the former.87”
“Is there yet another meaning of “black” beyond this? There is, but it is a difficult thought to think, and nearly impossible to know, though it does exist (actually it doesn’t exist, though the thought of its not-existing does).”
“The question that runs through these disputatio is the following: What if “horror” has less to do with a fear of death, and more to do with the dread of life?”
“Lovecraft expresses this same sentiment as follows: “Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.”
“Herein lies the basis of what Lovecraft called “cosmic horror” – the paradoxical realization of the world’s hiddenness as an absolute hiddenness. It is a sentiment frequently expressed in Lovecraft’s many letters: “Now all my tales are based on the fundamental premise that common human laws and interests are emotions have no validity or significance in the vast cosmos-at-large. To me there is nothing but puerility in a tale in which the human form – and the local human passions and conditions and standards – are depicted as native to other worlds or other universes. To achieve the essence of real externality, whether of time or space or dimension, one must forget that such things as organic life, good and evil, love and hate, and all such local attributes of a negligible and temporary race called mankind, have any existence at all…but when we cross the line to the boundless and hideous unknown – the shadow-haunted Outside – we must remember to leave our humanity and terrestrialism at the threshold.”
