Cover of On Writing: A Memoir of the Craft

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On Writing: A Memoir of the Craft

by Stephen King

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What it's about

This memoir combines personal history with a practical toolkit for aspiring writers. It strips away the romantic mystery of the craft, arguing that writing is a disciplined job that requires consistent practice rather than waiting for divine inspiration.

Key ideas

  • Read and write daily: Mastery comes only from the relentless habit of consuming books and producing your own work.
  • Kill your darlings: You must be willing to ruthlessly edit your work and cut your favorite parts if they fail to serve the story.
  • The door method: Write your first draft with the door closed to keep your focus, then rewrite with the door open to accommodate the reader.
  • Avoid the adverb: Strong verbs and nouns are almost always better than relying on adverbs to prop up weak writing.

You'll love this book if...

  • You enjoy no-nonsense, honest advice from a seasoned professional who has mastered his craft.
  • You're looking for a realistic, grounded perspective on the daily grind of professional writing.

Best for

Aspiring authors who need a kick in the pants to stop dreaming and start producing pages.

Books with the same vibe

  • Bird by Bird by Anne Lamott
  • The War of Art by Steven Pressfield
  • Steal Like an Artist by Austin Kleon

30 popular highlights from this book

Key Insights & Memorable Quotes

The most popular highlights from On Writing: A Memoir of the Craft, saved by readers on Screvi.

Books are a uniquely portable magic.
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The road to hell is paved with adverbs.
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The scariest moment is always just before you start.
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you can, you should, and if you’re brave enough to start, you will.
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Description begins in the writer’s imagination, but should finish in the reader’s.
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Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.
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Amateurs sit and wait for inspiration, the rest of us just get up and go to work.
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Write with the door closed, rewrite with the door open.
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Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.
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In many cases when a reader puts a story aside because it 'got boring,' the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling.
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If you expect to succeed as a writer, rudeness should be the second-to-least of your concerns. The least of all should be polite society and what it expects. If you intend to write as truthfully as you can, your days as a member of polite society are numbered, anyway.
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Writing is not life, but I think that sometimes it can be a way back to life.
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If you want to be a writer, you must do two things above all others: read a lot and write a lot. There's no way around these two things that I'm aware of, no shortcut.
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Just remember that Dumbo didn't need the feather; the magic was in him.
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So okay
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You cannot hope to sweep someone else away by the force of your writing until it has been done to you.
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Words create sentences; sentences create paragraphs; sometimes paragraphs quicken and begin to breathe.
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Your job isn't to find these ideas but to recognize them when they show up.
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To write is human, to edit is divine.
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I have spent a good many years since
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It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support system for art. It's the other way around.
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Writing is a lonely job. Having someone who believes in you makes a lot if difference. They don't have to makes speeches. Just believing is usually enough.
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I'm a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don't read in order to study the craft; I read because I like to read
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Reading in bed can be heaven, assuming you can get just the right amount of light on the page and aren't prone to spilling your coffee or cognac on the sheets.
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Good description is a learned skill, one of the prime reasons why you cannot succeed unless you read a lot and write a lot. It’s not just a question of how-to, you see; it’s also a question of how much to. Reading will help you answer how much, and only reams of writing will help you with the how. You can learn only by doing.
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Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.
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The most important things to remember about back story are that (a) everyone has a history and (b) most of it isn’t very interesting.
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Bad writing is more than a matter of shit syntax and faulty observation; bad writing usually arises from a stubborn refusal to tell stories about what people actually do
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I like to get ten pages a day, which amounts to 2,000 words. That’s 180,000 words over a three-month span, a goodish length for a book — something in which the reader can get happily lost, if the tale is done well and stays fresh.
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Fool me once, shame on you. Fool me twice, shame on me. Fool me three times, shame on both of us.
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