Cover of Letters to Felice

Book Highlights

Letters to Felice

by Franz Kafka

What it's about

This collection of correspondence documents the intense, agonizing, and often contradictory relationship between Franz Kafka and Felice Bauer. The letters reveal a man struggling to reconcile his desperate need for human connection with an absolute obsession with solitude and the act of writing.

Key ideas

  • The incompatibility of intimacy and creation: Writing requires a level of self-revelation and silence that makes the presence of a partner feel like an impossible intrusion.
  • The paralysis of self-doubt: A chronic inability to make decisions or sustain coherent thought often leaves the author feeling fundamentally unfit for any human relationship.
  • The burden of the present: Future plans and prospects are nonexistent, as the author is entirely consumed by the immediate, often painful, state of his own mind.
  • The paradox of longing: Intense love and desire are frequently experienced alongside a deep-seated fear that any true commitment will lead to total personal disintegration.

You'll love this book if...

  • You enjoy reading raw, unfiltered personal journals that expose the inner workings of a brilliant but deeply troubled mind.
  • You're looking for a candid exploration of how anxiety, creative obsession, and existential dread can complicate the simplest human bonds.

Best for

Readers interested in the psychological underpinnings of literary genius and the painful reality of romantic instability.

Books with the same vibe

  • The Diary of Franz Kafka by Franz Kafka
  • Letters to Milena by Franz Kafka
  • Notes from Underground by Fyodor Dostoevsky

43 popular highlights from this book

Key Insights & Memorable Quotes

The most popular highlights from Letters to Felice, saved by readers on Screvi.

I am not well; I could have built the Pyramids with the effort it takes me to cling on to life and reason.
You are at once both the quiet and the confusion of my heart; imagine my heartbeat when you are in this state.
It certainly was not my intention to make you suffer, yet i have done so; obviously it never will be my intention to make you suffer, yet I shall always do so.
Nothing unites two people so completely, especially if, like you and me, all they have is words.
There are times when I am convinced I am unfit for any human relationship.
One has either to take people as they are, or leave them as they are. One cannot change them, one can merely disturb their balance. A human being, after all, is not made up of single pieces, from which a single piece can be taken out and replaced by something else.
You wouldn't believe the kind of person I could become if you wanted it.
Each of us has his own way of emerging from the underworld, mine is by writing. That's why the only way I can keep going, if at all, is by writing, not through rest and sleep. I am far more likely to achieve peace of mind through writing than the capacity to write through peace.
The fact that no one knows where I am is my only happiness. If only I could prolong this forever! It would be far more just than death. I am empty and futile in every corner of my being, even in my unhappiness.
I mustn't look at you too much, or I won't be able to take my eyes off you at all.
I have no memory for things I have learned, nor things I have read, nor things experienced or heard, neither for people nor events; I feel that I have experienced nothing, learned nothing, that I actually know less than the average schoolboy, and that what I do know is superficial, and that every second question is beyond me. I am incapable of thinking deliberately; my thoughts run into a wall. I can grasp the essence of things in isolation, but I am quite incapable of coherent, unbroken thinking. I can’t even tell a story properly; in fact, I can scarcely talk.
There are times when my longing for you overwhelms me […] so often I can think of you only with teeth clenched.
No, I didn't imagine my being alone with you the way you do. If I want the impossible, I want it in its entirety. Entirely alone, dearest, I wanted us to be entirely alone on this earth, entirely alone under the sky, and to lead my life, my life that is yours, without distraction and with complete concentration, in you.
You will get to know me better; there are still a number of horrible recesses in me that you don’t know.
I am sitting down to write in a state of some confusion; I have been reading a lot of different things that are merging into one another, and if one hopes to find a solution for oneself by this kind of reading, one is mistaken; one comes up against a wall, and cannot proceed. Your life is so very different, dearest. Except in relation to your fellow men, have you ever known uncertainty? Have you ever observed how, within yourself and independent of other people, diverse possibilities open up in several directions, thereby actually creating a ban on your every movement? Have you ever, without giving the slightest thought to anyone else, been in despair simply about yourself? Desperate enough to throw yourself on the ground and remain there beyond the Day of Judgment? How devout are you? You go to the synagogue; but I dare say you have not been recently. And what is it that sustains you, the idea of Judaism or of God? Are you aware, and this is the most important thing, of a continuous relationship between yourself and a reassuringly distant, if possibly infinite height or depth? He who feels this continuously has no need to roam about like a lost dog, mutely gazing around with imploring eyes; he never need yearn to slip into a grave as if it were a warm sleeping bag and life a cold winter night; and when climbing the stairs to his office he never need imagine that he is careering down the well of the staircase, flickering in the uncertain light, twisting from the speed of his fall, shaking his head with impatience. There are times, dearest, when I am convinced I am unfit for any human relationship.
I am so miserable, there are so many questions, I can see no way out and am so wretched and feeble that I could lie forever on the sofa and keep opening and closing my eyes without knowing the difference.
But when I want to draw close to someone, and fully commit myself, then my misery is assured. Then I am nothing, and what can I do with nothingness? I must admit that your letter this morning (by the afternoon it had changed) arrived at just the right moment; I was in need of those very words.
Once again I have told you so little, and have asked no questions, and once again I must close. But not a single answer and, even more certainly, not a single question shall be lost. There exists some kind of sorcery by which two people, without seeing each other, without talking to each other, can at least discover the greater part about each other’s past, literally in a flash, without having to tell each other all and everything; but this, after all, is almost an instrument of Black Magic (without seeming to be) which, although never without reward, one would certainly never resort to with impunity. Therefore I won’t say it, unless you guess it first. It is terribly short, like all magic formulas. Farewell, and let me reinforce this greeting by lingering over your hand.Yours, Franz K.
You once said you would like to sit beside me while I write. Listen, in that case I could not write (I can’t do much, anyway), but in that case I could not write at all. For writing means revealing oneself to excess; that utmost of selfrevelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind—for everyone wants to live as long as he is alive —even that degree of selfrevelation and surrender is not enough for writing. Writing that springs from the surface of existence— when there is no other way and the deeper wells have dried up—is nothing, and collapses the moment a truer emotion makes that surface shake. This is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough. This is why there is never enough time at one’s disposal, for the roads are long and it is easy to go astray, there are even times when one becomes afraid and has the desire—even without any constraint or enticement—to run back (a desire always severely punished later on), how much more so if one were suddenly to receive a kiss from the most beloved lips! I have often thought that the best mode of life for me would be to sit in the innermost room of a spacious locked cellar with my writing things and a lamp. Food would be brought and always put down far away from my room, outside the cellar’s outermost door. The walk to my food, in my dressing gown, through the vaulted cellars, would be my only exercise. I would then return to my table, eat slowly and with deliberation, then start writing again at once. And how I would write! From what depths I would drag it up! Without effort! For extreme concentration knows no effort. The trouble is that I might not be able to keep it up for long, and at the first failure—which perhaps even in these circumstances could not be avoided—would be bound to end in a grandiose fit of madness.
I read the letter once, put it aside, and read it again; I pick up a file but am really only reading your letter; I am with the typist, to whom I am supposed to dictate, and again your letter slowly slides through my fingers and I have begun to draw it out of my pocket when people ask me something and I know perfectly well I should not be thinking of your letter now, yet that thought is all that occurs to me—but after all that I am as hungry as before, as restless as before, and once again the door starts swinging merrily, as though the man with the letter were about to appear again. That is what you call the “little pleasure” your letters give me.
All the love in the world in the world is useless when there is a total lack of understanding.
When dealing with myself I am powerless.
I wish I had a strong hand for the sole purpose of thrusting it into this incoherent construction that I am. And yet what I am saying here is not even precisely my opinion, not even precisely my opinion at this moment. When I look into myself I see so much that is obscure and still in flux that I cannot even properly explain or fully accept the dislike I feel for myself.
Silence, I believe, avoids me, as water on the beach avoids stranded fish.
The other day in connection with my uncle’s letter you asked me about my plans and prospects. I was amazed by your question, and am now reminded of it again by this stranger’s question. Needless to say I have no plans, no prospects; I cannot step into the future; I can crash into the future, grind into the future, stumble into the future, this I can do; but best of all I can lie still. Plans and prospects, however—honestly, I have none; when things go well, I am entirely absorbed by the present; when things go badly, I curse even the present, let alone the future!-Franz
I belong to you; there is really no other way of expressing it, and that is not strong enough.
If you can laugh into the telephone, you must be a very accomplished telephonist. The very thought of the telephone makes me forget laughter.
First of all, I am delighted that you are a vegetarian at heart. I don’t like strict vegetarians all that much, because I too am almost a vegetarian, and see nothing particularly likable about it, just something natural, and those who are good vegetarians in their hearts, but, for reasons of health, from indifference, or simply because they underrate food as such, eat meat or whatever happens to be on the table, casually, with their left hand, so to speak, these are the ones I like.
My powers of reasoning are incredibly limited; to sense the development in the results, that I can do, but to ascend from the development of the results or step by step to reconstruction it from the results, that is not given to me. It is though as I were falling down upon these things, and caught sight of them only in the confusion of my fall.
Oh the moods I get into, Fräulein Bauer! A hail of nervousness pours down upon me continuously. What I want one minute I don't want the next. When I have reached the top of the stairs, I still don't know the state I shall be in when I enter the apartment.

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