Cover of On Writing (and Writers): A Miscellany of Advice and Opinions

Book Highlights

On Writing (and Writers): A Miscellany of Advice and Opinions

by C.S. Lewis

What it's about

C.S. Lewis offers a collection of personal essays and letters that demystify the craft of writing and the nature of literature. He explores how great stories function across different age groups and why writers must protect the integrity of language from political or commercial corruption.

Key ideas

  • The multi-generational appeal of stories: True classics reveal deeper layers of scholarship and wisdom to the adult reader that were invisible to the child.
  • The danger of verbicide: Writers often ruin language by turning words into political slogans or marketing tools to capture a specific audience.
  • Writing for the reader, not the ego: Effective prose relies on being friendly and true rather than signaling the author's cleverness.
  • The necessity of rereading: A book's quality is often measured by how much more it offers after the first time you flip the final page.

You'll love this book if...

  • You appreciate the intersection of classic literature and practical advice on how to write well.
  • You want to understand how to preserve the precision of your language in an era of buzzwords.
  • You enjoy hearing a master craftsman speak candidly about his own literary influences and habits.

Best for

Writers and literature students who want to ground their craft in classical principles rather than modern trends.

Books with the same vibe

  • Letters to a Young Poet by Rainer Maria Rilke
  • The Elements of Style by William Strunk Jr. and E.B. White
  • Bird by Bird by Anne Lamott

2 popular highlights from this book

Key Insights & Memorable Quotes

The most popular highlights from On Writing (and Writers): A Miscellany of Advice and Opinions, saved by readers on Screvi.

For it must be understood that this is a children’s book only in the sense that the first of many readings can be undertaken in the nursery. Alice is read gravely by children and with laughter by grown-ups; The Hobbit, on the other hand, will be funniest to its youngest readers, and only years later, at a tenth or a twentieth reading, will they begin to realize what deft scholarship and profound reflection have gone to make everything in it so ripe, so friendly, and in its own way so true.
Men often commit verbicide because they want to snatch a word as a party banner, to appropriate its “selling quality.

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