Cover of Preaching: Communicating Faith in an Age of Skepticism

Book Highlights

Preaching: Communicating Faith in an Age of Skepticism

by Timothy J. Keller

What it's about

This book provides a framework for communicating the Christian gospel in a way that resonates with a skeptical, modern audience. It argues that effective preaching must move beyond moralistic advice by consistently connecting every biblical text to the life, death, and resurrection of Jesus Christ.

Key ideas

  • Christ-centered exposition: Every sermon should demonstrate how a specific text points to the necessity of Jesus rather than simply offering general life advice.
  • Engaging the heart: Preaching should aim to move the listener's affections and desires, not just provide intellectual information or notes.
  • Cultural intelligence: Effective preachers must identify and address the underlying, often invisible, narratives of contemporary culture to show why the gospel is a more compelling reality.
  • The power of imagery: Using vivid illustrations and metaphors is essential for making spiritual truths feel real and memorable to body-bound human beings.

You'll love this book if...

  • You are a pastor, teacher, or student looking to sharpen your ability to connect biblical texts to the gospel.
  • You are interested in how to communicate ancient truths to a secular or skeptical audience without compromising the core message.

Best for

Ministers and public speakers seeking to transition from moralistic teaching to a more grace-centered, Christ-focused approach.

Books with the same vibe

  • Between Two Worlds by John Stott
  • Christ-Centered Preaching by Bryan Chapell
  • The Supremacy of God in Preaching by John Piper

60 popular highlights from this book

Key Insights & Memorable Quotes

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Jesus is the true and better Adam, who passed the test in the garden and whose obedience is imputed to us (1 Corinthians 15). Jesus is the true and better Abel, who, though innocently slain, has blood that cries out for our acquittal, not our condemnation (Hebrews 12:24). Jesus is the true and better Abraham, who answered the call of God to leave the comfortable and familiar and go out into the void “not knowing whither he went” to create a new people of God. Jesus is the true and better Isaac, who was not just offered up by his father on the mount but was truly sacrificed for us all. God said to Abraham, “Now I know you love me, because you did not withhold your son, your only son whom you love, from me.” Now we can say to God, “Now we know that you love us, because you did not withhold your son, your only son whom you love, from us.” Jesus is the true and better Jacob, who wrestled with God and took the blow of justice we deserved so that we, like Jacob, receive only the wounds of grace to wake us up and discipline us. Jesus is the true and better Joseph, who at the right hand of the King forgives those who betrayed and sold him and uses his new power to save them. Jesus is the true and better Moses, who stands in the gap between the people and the Lord and who mediates a new covenant (Hebrews 3). Jesus is the true and better rock of Moses, who, struck with the rod of God’s justice, now gives us water in the desert. Jesus is the true and better Job—the truly innocent sufferer—who then intercedes for and saves his stupid friends (Job 42). Jesus is the true and better David, whose victory becomes his people’s victory, though they never lifted a stone to accomplish it themselves. Jesus is the true and better Esther, who didn’t just risk losing an earthly palace but lost the ultimate heavenly one, who didn’t just risk his life but gave his life—to save his people. Jesus is the true and better Jonah, who was cast out into the storm so we could be brought in.
Cultural engagement in preaching must never be for the sake of appearing “relevant” but rather must be for the purpose of laying bare the listener’s life foundations.
A sermon is a place to wake people up to realities they have assented to with the mind but have not grasped with the heart.
The gospel is not just the means by which people get converted but also the way Christians solve their problems and grow.
It has been said that D. M. Lloyd-Jones wasn’t always excited by people taking notes on his sermons. He felt that that was more appropriate to a lecture. The job of the preacher, he believed, was to make the knowledge live. Lloyd-Jones and Edwards believed preaching should aim to make an impression on the listener, and that impression is more important than “information takeaways.” I would say that it’s fine if listeners are taking notes in the first part of the sermon, but if they are doing so at the end, you are probably not reaching their affections.
What the heart most wants the mind finds reasonable, the emotions find valuable, and the will finds doable. It is all-important, then, that preaching move the heart to stop trusting and loving other things more than God.
We tend to think of the Bible as a book of answers to our questions, and it is that. However, if we really let the text speak, we may find that God will show us that we are not even asking the right questions.
In the end, preaching has two basic objects in view: the Word and the human listener. It is not enough to just harvest the wheat; it must be prepared in some edible form or it can’t nourish and delight. Sound preaching arises out of two loves—love of the Word of God and love of people—and from them both a desire to show people God’s glorious grace.
Each genre and part of the Old Testament looks toward Christ and informs us about who he is in some way that the others do not.
All the seemingly loose threads and contradictory claims of the rest of the Bible come together in Jesus.
J. R. R. Tolkien’s famous essay, “On Fairy-Stories,” in Tree and Leaf (New York: HarperCollins, 2001), pp. 1–82. The consolation . . . the joy of the happy ending . . . the sudden joyous ‘turn’ . . . this joy which . . . stories can produce supremely well, is not essentially ‘escapist’ nor ‘fugitive.’ . . . It is a sudden and miraculous grace: never to be counted on to recur. It does not deny the existence of dyscatastrophe, of sorrow and failure. Indeed, the possibility of these is necessary to the joy of deliverance. Rather, it denies (in the face of much evidence, if you will) universal final defeat, and thus is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief. It is the mark of a good story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give . . . when the ‘turn’ comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art, and having a peculiar quality. In . . . the ‘turn’ . . . we get a piercing glimpse of joy, and heart’s desire, that for a moment passes outside the frame, rends indeed the very web of story, and lets a gleam come through.” Tolkien, “On Fairy-Stories,” pp. 68–69. Later Tolkien argues that the ultimate story—the gospel—is the essence of all other stories with the joy-giving happy ending. “This ‘joy’ . . . merits more consideration. The peculiar quality of the ‘joy’ in a successful Fantasy can . . . be explained as a sudden glimpse of an underlying . . . Reality. . . . The Gospels contain . . . a story of a larger kind which embraces all the essence of fairy-stories. They contain . . . the greatest and most complete conceivable eucatastrophe. But this story has entered history and the primary world. . . . The Birth of Christ is the eucatastrophe of Man’s history. The Resurrection is the eucatastrophe of the story of the Incarnation. This story ends in joy. . . . There is no tale ever told that men would rather find was true, and none which so many skeptical men have accepted as true on its own merits. For the Art of it has the supremely convincing tone of Primary Art, that is, of Creation. To reject it leads either to sadness or to wrath. . . . [T]his story is supreme; and it is true. Art has been verified. God is Lord, of angels, and of men—and of elves. Legend and History have met and fused.” Tolkien, “On Fairy-Stories,” pp. 71–73.
Theodore Beza was a younger colleague and successor of John Calvin, the founder of the Reformed branch of Protestantism during the Reformation. In his biography of Calvin, Beza recalled the three great preachers in Geneva during those years—Calvin himself, Guillaume Farel, and Pierre Viret. Farel, said Beza, was the most fiery, passionate, and forceful in his sermonic delivery. Viret was the most eloquent, and audiences hung on his skillful and beautiful words. The time flew by fastest when sitting under his preaching. Calvin was the most profound, his sermons packed full of “the weightiest of insights.” Calvin had the most substance, Viret the most eloquence, and Farel the most vehemence. Beza concluded “that a preacher who was a composite of these three men would have been absolutely perfect.
People, therefore, change not by merely changing their thinking but by changing what they love most.
The Bible is in the end a single, great story that comes to a climax in Jesus Christ. God created the world and created us to serve and enjoy him and the world he had made. But human beings turned away from serving him; they sinned and marred themselves and the creation. Nevertheless, God promised to not abandon them (though it was his perfect right) but to rescue them, despite the guilt and condemnation they were under and despite their inveterately flawed hearts and character. To do this, first God called out one family in the world to know him and serve him. Then he grew that family into a nation; entered into a binding, personal covenant relationship with them; and gave them his law to guide their lives, the promise of blessing if they obeyed it, and a system of offerings and sacrifices to deal with their sins and failures. However, human nature is so disordered and sinful that, despite all these privileges and centuries of God’s patience, even his covenant people—who had received the law, promises, and sacrifices—turned away from him. It looked hopeless for the human race. But God became flesh and entered the world of time, space, and history. He lived a perfect life, but then he went to the cross to die. When he was raised from the dead, it was revealed that he had come to fulfill the law with his perfect life, to offer the final sacrifice, taking the curse that we deserved and thereby securing the promised blessings for us by free grace. Now those who believe in him are united with God despite our sin, and this changes the people of God from a single nation-state into a new international, multiethnic fellowship of believers in every nation and culture. We now serve him and our neighbor as we wait in hope for Jesus to return and renew all creation, sweeping away death and all suffering.
To show how a text fits into its whole canonical context, then, is to show how it points to Christ and gospel salvation, the big idea of the whole Bible. Every time you expound a Bible text, you are not finished unless you demonstrate how it shows us that we cannot save ourselves and that only Jesus can. That means we must preach Christ from every text, which is the same as saying we must preach the gospel every time and not just settle for general inspiration or moralizing.
Unless we preach Jesus rather than a set of “morals of the story” or timeless principles or good advice, people will never truly understand, love, or obey the Word of God.
The idea of “taking on” the baseline cultural narratives of late-modern secularism may sound intimidating. Those who promote the wisdom of this age, who disdain Christians as being “on the wrong side of history,” seem supremely confident. However, Christian preachers and teachers should not be abashed or threatened. Try to remember that you are at odds with a system of beliefs far more than you are at war with a group of people. Contemporary people are the victims of the late-modern mind far more than they are its perpetrators. Seen in this light the Christian gospel is more of a prison break than a battle. Paul cries out, “Where is the wise person? Where is the teacher of the law? Where is the philosopher of this age? Has not God made foolish the wisdom of the world?” (1 Corinthians 1:20). In his day the cross and the atonement made no sense within any of the reigning worldviews. The philosophers treated Paul with disdain on Mars Hill in Acts 17, and hardly anyone believed his message. But answer the question. Where now is the wisdom of that world? It’s over, gone. No one believes those worldviews anymore. Such will always be the case. The philosophies of the world will come and go, rise and fall, but the wisdom we preach—the Word of God—will still be here.
Any sermon that tells listeners only how they should live without putting that standard into the context of the gospel gives them the impression that they might be complete enough to pull themselves together if they really try hard. Ed Clowney points out that if we ever tell a particular Bible story without putting it into the Bible story (about Christ), we actually change its meaning for us. It becomes a moralistic exhortation to “try harder” rather than a call to live by faith in the work of Christ. There are, in the end, only two ways to read the Bible: Is it basically about me or basically about Jesus? In other words, is it basically about what I must do or basically about what he has done?
If you are preaching on the first commandment (“Thou shalt have no other gods before me”) or Ephesians 5:5 (which calls greed idolatry) or any of the several hundred other places in the Bible that speak of idols, you could quote David Foster Wallace, the late postmodern novelist. In his Kenyon College commencement speech he argues eloquently and forcefully that “everyone worships. The only choice we get is what to worship.”32 He goes on to say everyone has to “tap real meaning in life,” and whatever you use to do that, whether it is money, beauty, power, intellect, or something else, it will drive your life because it is essentially a form of worship. He enumerates why each form of worship does not merely make you fragile and exhausted but can “eat you alive.” If you lay out his argument in support of fundamental biblical teaching, even the most secular audience will get quiet and keep listening to what you say next.
There are, in the end, only two ways to read the Bible: Is it basically about me or basically about Jesus? In other words, is it basically about what I must do or basically about what he has done?
Prepare the preacher more than you prepare the sermon.
There seems to me to have been twice as much done in some ages in defending the Bible as in expounding it, but if the whole of our strength shall henceforth go to the exposition and spreading of it, we may leave it pretty much to defend itself. I do not know whether you see that lion—it is very distinctly before my eyes; a number of persons advance to attack him, while a host of us would defend [him]. . . . Pardon me if I offer a quiet suggestion. Open the door and let the lion out; he will take care of himself. Why, they are gone! He no sooner goes forth in his strength than his assailants flee. The way to meet infidelity is to spread the Bible. The answer to every objection against the Bible is the Bible.
The flaming sword guarding the way to the presence of God came down on Jesus, and now the way is open (Genesis 3:24; Hebrews 10:19–22).
Expository preaching is the best method for displaying and conveying your conviction that the whole Bible is true.
Spiritual eloquence should arise out of the preacher’s almost desperate love for the gospel truth itself and the people for whom accepting the truth is a matter of life and death. In the end, preaching has two basic objects in view: the Word and the human listener. It is not enough to just harvest the wheat; it must be prepared in some edible form or it can’t nourish and delight. Sound preaching arises out of two loves—love of the Word of God and love of people—and from them both a desire to show people God’s glorious grace.
The Christian preacher is not the successor to the Greek orator, but of the Hebrew prophet,” writes Forsyth. “It is one thing to have to rouse or persuade people to do something. . . . It is another to have to induce them to trust somebody and renounce themselves for him. . . . The orator stirs men to [action], the preacher invites them to be redeemed.”8
Let me give you another example from the Bible of how illustrations work. God says to Cain, “Sin is crouching at your door; it desires to have you, but you must rule over it” (Genesis 4:7). The Hebrew word used here connotes an animal that is coiled low, perhaps off in the shadows, ready to spring, rend, and kill. God does not simply say, “Sin will get you into trouble, Cain.” That would have been an abstraction. By likening sin to a dangerous, predatory animal, God is not only gripping the heart but also conveying a great deal of information about sin—much more than a mere proposition could do.
the Christian gospel is more of a prison break than a battle.
They have rejected the idea of inexorable progress for the opposite idea that history is, in Macbeth’s words, “a tale / Told by an idiot, full of sound and fury, / Signifying nothing.
George Herbert puts it so vividly in “The Sacrifice” when he depicts Jesus speaking from the cross. He says, “All ye who pass by, behold and see; Man stole the fruit, now I must climb the tree; A tree of life for all, but only me. Was ever grief like mine?” What is Jesus saying? Because Jesus got the tree of death, we can have the tree of life. Herbert is even more poignantly saying that Jesus turned the cross into a tree of life for us, at infinite cost to himself.

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