Cover of Till We Have Faces

Book Highlights

Till We Have Faces

by C.S. Lewis

What it's about

This novel retells the myth of Cupid and Psyche from the perspective of Psyche’s older sister, Orual. It explores the painful, transformative process of stripping away one's ego and self-deception to finally stand authentic before the divine.

Key ideas

  • The nature of longing: Deep, persistent desire serves as a compass pointing toward a home or reality we have not yet fully realized.
  • The necessity of the face: We cannot encounter the divine until we stop hiding behind the masks of our own justifications and reveal our true, naked souls.
  • Love versus possession: Human love often masks a selfish desire for control, leading us to destroy what we claim to cherish most.
  • The silence of the gods: Transcendence is found not in clever arguments or answers to our complaints, but in the direct, unmediated presence of the divine itself.

You'll love this book if...

  • You enjoy psychological fiction that explores the darker, messier corners of human motivation and possessive love.
  • You're looking for a profound meditation on the difficulty of being known and the cost of spiritual growth.

Best for

Anyone grappling with the tension between their private, internal identity and the image they project to the world.

Books with the same vibe

  • The Great Divorce by C.S. Lewis
  • Silence by Shusaku Endo
  • The Power and the Glory by Graham Greene

60 popular highlights from this book

Key Insights & Memorable Quotes

The most popular highlights from Till We Have Faces, saved by readers on Screvi.

The sweetest thing in all my life has been the longing — to reach the Mountain, to find the place where all the beauty came from — my country, the place where I ought to have been born. Do you think it all meant nothing, all the longing? The longing for home? For indeed it now feels not like going, but like going back.
I was with book, as a woman is with child.
When the time comes to you at which you will be forced at last to utter the speech which has lain at the center of your soul for years, which you have, all that time, idiot-like, been saying over and over, you'll not talk about the joy of words. I saw well why the gods do not speak to us openly, nor let us answer. Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?
It was when I was happiest that I longed most...The sweetest thing in all my life has been the longing...to find the place where all the beauty came from.
Holy places are dark places. It is life and strength, not knowledge and words, that we get in them. Holy wisdom is not clear and thin like water, but thick and dark like blood.
I ended my first book with the words 'no answer.' I know now, Lord, why you utter no answer. You are yourself the answer. Before your face questions die away. What other answer would suffice? Only words, words; to be led out to battle against other words.
Are the gods not just?""Oh no, child. What would become of us if they were?
Death opens a door out of a little, dark room (that's all the life we have known before it) into a great, real place where the true sun shines and we shall meet.
No man can be an exile if he remembers that all the world is one city.
I felt ashamed.""But of what? Psyche, they hadn't stripped you naked or anything?""No, no, Maia. Ashamed of looking like a mortal -- of being a mortal.""But how could you help that?""Don't you think the things people are most ashamed of are things they can't help?
Did I hate him, then? Indeed, I believe so. A love like that can grow to be nine-tenths hatred and still call itself love.
There must, whether the gods see it or not, be something great in the mortal soul. For suffering, it seems, is infinite, and our capacity without limit.
The complaint was the answer. To have heard myself making it was to be answered. Lightly men talk of saying what they mean. Often when he was teaching me to write in Greek the Fox would say, 'Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that's the whole art and joy of words.'A glib saying. When the time comes to you at which you will be forced at last to utter the speech which has lain at the center of your soul for years which you have, all that time, idiot-like, been saying over and over, you'll not talk about the joy of words. I saw well why the gods do not speak to us openly, nor let us answer. Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?
but who can feel ugly, when their heart feels joy
But now I discovered the wonderful power of wine. I understood why men become drunkards. For the way it worked on me was not at all that it blotted out these sorrows, but that it made them seem glorious and noble, like sad music, and I somehow great and revered for feeling them.
As for all I can tell, the only difference is that what many see we call a real thing, and what only one sees we call a dream.
You don’t think – not possibly – not as a mere hundredth chance – there might be things that are real though we can’t see them? … If there are souls, could there not be soul-houses?
I have seen something like it happen in battle. A man was coming at me, I at him, to kill. Then came a sudden great gust of wind that wrapped out cloaks over our swords and almost over our eyes, so that we could do nothing to one another but must fight the wind itself. And that ridiculous contention, so foreign to the business we were on, set us both laughing, face to face - friends for a moment - and then at once enemies again and forever.
I wonder do the gods know what it feels like to be a man.
I have said that she had no face; but that meant she had a thousand faces
Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?
It may well be that by trickery of priests men have sometimes taken a mortal's voice for a god's. But it will not work the other way. No one who hears a god's voice takes it for a man's.
But I was wrong to weep and beg and try to force you by your love. Love is not a thing to be so used.
She made beauty all round her. When she trod on mud, the mud was beautiful; when she ran in the rain, the rain was silver. When she picked up a toad - she had the strangest and, I thought, unchanciest love for all manner of brutes - the toad became beautiful.
Lightly men talk of saying what they mean. Often when he was teaching me to write in Greek the Fox would say, “Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that’s the whole art and joy of words.” A glib saying. When the time comes to you at which you will be forced at last to utter the speech which has lain at the centre of your soul for years, which you have, all that time, idiot-like, been saying over and over, you’ll not talk about joy of words.
the Divine Nature wounds and perhaps destroys us merely by being what it is.
What began the change was the very writing itself. Let no one lightly set about such a work. Memory, once waked, will play the tyrant.
The change which the writing wrought in me (and of which I did not write) was only a beginning; only to prepare me for the gods' surgery. They used my own pen to probe my wound.
Oh, I can see it happening, age after age, and growing worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can't follow. It would be far better for us if you were foul and ravening. We'd rather you drank their blood than stole their hearts. We'd rather they were ours and dead than yours and made immortal.
Don't you think a dream would feel shy if it were seen walking about in the waking world?

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